Showing posts with label Emeryville. Show all posts
Showing posts with label Emeryville. Show all posts

Friday, June 28, 2013

A Change In Misdirection...






I've seen a lot of articles by people about the Lamp changing its strategy... But I don't think they're looking close enough at the very evidence that they're quoting. Some sites are reporting that Pixar is going to curb the output of sequels over the next few years. I can tell you that this is absolutely not so. But on the same note, they aren't increasing them either. How can this be? Simple. It's business as normal and for some reason a few reporters/writers/bloggers had misinferred a statement by Ed Catmull as a change in direction. It isn't. This is simply a statement of a business strategy that's been in place for some while now. Here's the statement from an interview at Buzzfeed:


For artistic reasons … it’s really important that we do an original film a year. Every once in a while, we get a film where we want or people want to see something continuing in that world — which is the rationale behind the sequel. They want those characters, which means we were successful with them. But if you keep doing that, then you aren’t doing original films.
We’re going to have an original film every year, then every other year have a sequel to something. That’s the rough idea.
   
Have you looked at the fourteen films that the Emeryville branch of Disney North has made?  How many original films?  How many sequels/prequels were there?  A lot of people want to think of John Lasseter's fertile garden as pure and pristine, without any hint of corporatism or desire for profits.  Wrong.  Only four years after their first film, "Toy Story" did a sequel come out.  "Toy Story 2" was the first sequel, but it was only their third film.  In other words, they had already planned a sequel by the beginning of production of their second film.  The difference between Pixar and other film studios is that they actually wanted to do films that had a story to them.  Lasseter and Catmull didn't want to churn out films for the sake of dollars, but wanted to have films worthy of those dollars the public spent.

Now, everyone is saying that they're going to slow down with the production of sequels.  There have been 14 Pixar films and four of them are sequels.  Now if you do the math it turns out that the number you come up with roughly is a little less than a third of films are sequels.  Now, look at where Catmull is talking about a new film once a year and a sequel every other year.  That would add up to ten new films in a decade, and five sequels in the same decade.  Out of fifteen films, that would mean a third would be sequels.  Does that seem like they're going to pull back on making sequels?  No, it looks like almost the same amount of new versus sequel films as what has been made over the past two decades.  It's simply a continuation of what has gone on for a while explained by one of the men responsible for it.  The only difference is that the production has ramped up to a film a year.

Now, I don't think this means we'll get an announcement of "The Incredibles 2" anytime in the near future.  When Brad Bird comes up with a story that he feels is worthy of making, he'll call up John and say let's make it.  And there is no way that Pixar wouldn't make the film if he had a story he wanted to film.  But we can look forward to seeing more adventures in the worlds Pixar created in the future.  See how simple that was?  A lot of smoke, no fire.  Pay no attention to these droids.  Nothing new to report here.

Move along, move along...

Hat Tip to /Film.

Wednesday, May 29, 2013

An Untitled Slate...






Walt Disney Pictures has announced the line up for its major animation studios...

The studio has given a list of the release dates of both the Mouse and the Lamp.  The five year plan for Walt Disney Animation Studios and Pixar Animation Studios was put out to lay claim to those weekends.  Now, only the dates were published, not the titles.  That will only come as we get closer to the release date, and those dates are subject to change.  Nothing is chiseled in stone:



2016

Untitled Walt Disney animated film 3/4/16 in 3D.

Untitled Pixar animated film 6/17/16 in 3 D.

Untitled Walt Disney animated film 11/23/16 in 3D.


2017

Untitled Pixar animated film 6/6/17 in 3D.

Untitled Pixar animated film 11/22/17 in 3D.


2018

Untitled Walt Disney animated film 3/9/18 in 3D.

Untitled Pixar animated film 6/15/18 in 3D.

Untitled Walt Disney animated film 11/21/18 in 3D.



Now all we have to do is let the stories unfold...

Thursday, February 23, 2012

Fate Changes In June...

Fate is not determined...








The new poster for Pixar Animation Studios' "Brave" is out...

The Lamp's first princess film will be interesting to see how they handle it differently than the Hat does.

Holding court this summer...

Wednesday, December 29, 2010

Now That's A Lovely Lamp...

Puuuuuuurrrrrrty...







Pixar is known for making beautiful, well written films...

Leandro Copperfield has put together a montage of several of the most gorgeous scenes from the films that Disney North has done. Every time you turn on one of this Emeryville studios' lights you see something different and amazing.

Check it out and feel the love...

Hat Tip to /Film.

Monday, November 9, 2009

A Vacation From Reality, A Haven From Chaos...


In these troubled economic times there are small pockets of calm that the reality of the outside world seems to not have any affect on...

I've mentioned how Apple, Inc. is one of these companies/businesses/lifestyles that is an example of this. Google is another. The Walt Disney Company, while not recession proof, happens to be weathering this storm remarkably good. The one area of the company that is a total part of this anomaly lies in Emeryville. In fact, every one of these companies are in northern California or the northwest. Maybe it's just the general area or the state of mind, or maybe it's just Steve Jobs and those that work for him or compete against him? But the Lamp is what I'm talking about.

Pixar.

That little company that seems to be showing everyone else how to run a successful business and to prosper. The economic swine flu that everyone else is suffering under happens to not infect that little plot of land in the bay area. Pixar is immune. While other companies seem to be cutting back, laying off or slowing expansion, John Lasseter and his crew are plowing forward. Success is a wonderful cure for a business.

Steve Jobs has been part of two business stories about that with the Fruit Company and the Lamp. I'm crossing my fingers that his magic touch goes on for a third time with Disney and this company will be able to ride the current and future crisis's as well. Hopefully Iger has his ear very close. We already know he's helped out on the redesigned Disney Stores/Imagination Parks idea. His former employee, John Lasseter is in charge of animation has been working to prop up the animation side of the company. Maybe a few more suggestions inside those Board meetings will be implemented and spread throughout the entire company? Who knows, maybe he'll convince Iger to let Lasseter build that swanky new pad for WDAS on the Lot? Or better yet, in JC's Glendale Kingdom?

But back up north... you wonder what it's like to work in a place of relative calm while the world around you falls apart. And right now, they're not only surviving, they're thriving. In fact, the company is bursting at the seams. At a time when most companies are looking at how to cut cost, Pixar is looking at how to grow. They simply have too many people that don't fit in the existing building. And many more are needed. That's why over the next decade they're going to be adding two new buildings that will expand and house their current and future workers. Unlike many other animation studios, the artist working on productions at Pixar know they've got a little job security for the next four or five years. There is that much work to do. The planning of projects is that far in advance.

Now, not everything is perfect in Emeryville. One thing that some people will complain about is the fact that Pixar pays its employees less than other companies (about 20-25% less). But many, not all, of the people that work there view this as a trade off for job security and an environment that is far more inclusive than most of the animated studios in the Los Angeles area. And they have lost several talented artist over the last couple of years (Lou Romano, we miss you!). But for every artist that leaves the place there are many more lined up to get a shot at working for the cream of the crop.

Sadly or sourly, depending on how you look at it, Pixar is now the pinnacle for everyone to work for. They are the man on the mountain that everyone wants to toss down. This used to be the spot that Walt Disney Animated Studios throughout the late 80's to the later 90's. This was a spot they held from the 30's all through the 60's alone. There really wasn't any credible competition then. It wasn't until the eighties that there was finally some form of a challenge to their near monopoly on animated features.

During the mid-nineties the Mouse made overtures to Pixar about creating a computer generated film and with it helped spawn a half dozen other studios that cropped up over the next three or four years. It's really hard to believe that before the Lamp, all these other studios didn't exist. And as they ascended, WDAS (Walt Disney Feature Animation) withered and slowly started to fade away. It took bringing in Pixar to revive the division. Kind of like Apple buying NeXT to save itself in a sense. And now we wait and see with the release of "The Princess and the Frog" if the Southern California branch of Pixar becomes part of this refuge.

Now, if only the rest of the economy would as well...

Friday, March 20, 2009

Sanctuary, Phase Two...


Pixar's campus in Emeryville is moving forward with a second phase of construction...

Steve Jobs, John Lasseter, Ed Catmull and their Suits have been working on plans for pushing out the current building for some years now. They planned ahead when they bought the plot of land years ago(Obviously the people that built DCA weren't working for them). If you want to see more of the plans submitted to the city then click over to The Pixar Blog and see all the blueprints they've gotten hold of. If you want to see just how cool the campus is already, then click over to Blue Sky's "The Sanctuary" article from last year. This phase(not the last, btw) is scheduled to be completed in 2011. There goes that year again.

Sorry, I couldn't resist...

Wednesday, July 16, 2008

Deeper Into The Sanctuary...


No sooner than I put all that work into a pictorial of Pixar's Emeryville Campus than those guys over at Rotten Tomatoes go and publish the photos from their exclusive visit earlier this year.

Talk a looksie...

Hat Tip to Disney and More.

Friday, July 11, 2008

The Sanctuary...


Up in the Bay Area(no, not the one in DCA) across the way from San Francisco, literally just down the street from Oakland lies the small, bustling town of Emeryville. Ok, as small towns go it's pretty big, but there is an intimacy there that distinguishes it from the larger surrounding cities. Now, nestled in a nice, quaint little spot of earth is the headquarters of Pixar Animation Studios.



When Steve Jobs wanted to build a new building for his growing little animation company he wanted to build a place where they could grow. A place that was full of possibilities and a place that would have room for expansion should the creativity continue to be successful. There wasn't room in the town of Richmond, California which Pixar was now located in so he scouted locations and found a nice plot of land in Emeryville that suited his purpose. Of course, he needed to demolish what was there and start over. He is a perfectionist. Once he got permission and succeeded in doing just that, he contracted an architecture firm to design this new haven, this sactuary for Creatives. One of the early things he wanted for his hundreds of employees was to have only one bathroom.

Only one. You can imagine what the architects thought, but those that know Steve know he's always been quite egalitarian about things. Over a period of time they were able to persuade him to change his mind on this. Instead of putting that bathroom out around the center area of the building like he wanted, they proposed putting a series of other things there that would draw the animators and artist together. For what may have been a rare occasion they actually got him to change his mind. He worked on the design for months until he was satisfied and then the construction started.



When the dust settled, what remained was a large two-story brick building occupying 220,000 square feet that looked like a piece of the past(1920's) that had been propped up and restored with 21st century technology. The place would be an animator's dream. And a kid's dream too... there are hiding places, a store that has every kind of cereal known to man for free, a mail office, screening theaters and even a secret bar hidden behind an animator's room. The outside has a pool, tennis court, soccer field and lush green areas for relaxing and reflecting. And there's room for an expansion that Pixar has planned over the next two decades to add two new buildings(bye, bye soccer field!) and a new parking structure as the Lamp grows.

The animators are encouraged to decorate their offices and cubicles to reflect their personalities, which can lead to some interesting places inside this den of creativity. This building, this whole campus is designed as a sanctuary, both physically and mentally from the outside world. Since we've been admiring architecture lately with the opening of the Tokyo Disneyland Hotel, I thought we'd take a moment to admire some photos* of another building whose beautiful architecture belongs to the Mouse...







































I can't wait to see when they've finished building the new Walt Disney Animation Studio in Glendale a few years from now... Lasseter and Co. are working to create a place for the animators here in southern California that's as equally appealing as their brothers up north. Now if "Bolt" performs rather well, it might make the Suits a little less nervous about some of the ambitious plans John and his buddies want to do. I know you're like me in wanting to see this new place...

Patience.

* All photos are copyright their respective owners.