
The second part of /Film's Frogumentary series is out...
Take a look at it and enjoy the loving craft these animators of hand-drawn art work so hard to create.
Part Three.
Part Four.
Sooooo much talent coming from such a little pencil...









The Mouse's latest film has gotten mostly high marks since it's release last week. A week from Friday everyone else gets to make their own minds. Until then, here's a few thoughts from some critics' minds.And the beat goes on...
"Disney Animation is back doing what it does best -- musical romantic adventure with magic -- after 10 years of unfortunate forays into barnyard humor and science fiction (see the same directors’ Treasure Planet or, better yet, don’t.)"
- Lou Lumenick, New York Post
"Visually lush, the film strikes me as the most American of the Disney Princess movies, using uniquely American iconography to paint the fairy tale.
I don't think this is the best of the Disney films, or that it's the best of what Disney is capable of, but I do think it's a movie that treats its target audience with uncommon respect. One might argue that the hand of John Lasseter, the film's executive producer, can be felt in the way the film treats its audience. After all, Pixar's built the brand out of treating the audience well. But to the credit of Lasseter and the Disney animators, this doesn't feel like the film has been "Pixar"ed. It's still recognizably a Walt Disney animated film, and the mere fact that this film drops so recognizably into the archetypes is comforting, an itch scratched, a momentary detour corrected now."
- Drew McWeeny, Hitflix/Motion Captured
"In a culture where advertising hype is more ubiquitous—seemingly more "real"—than the movies themselves, The Princess and the Frog’s feels like the ultimate betrayal: It’s classic Bait-and-Switch. Hyped as offering the Walt Disney corporation’s first African-American animated heroine, The Princess and the Frog actually refrains from expanding our social imagination. Based on the venerable The Frog Prince, it uses that fairy tale’s moral about seeking inner value and personal worth to exploit "post-racial" complaisance."
- Armond White, New York Press
"The animation style of The Princess and the Frog is perhaps the best Disney has produced for a traditionally animated film in years. This may not be 3D, but the film's vibrant look feels like much more than two dimensions with incredible character designs and an elaborate recreation of the architecture of the French Quarter from the Roaring Twenties. As an African-American and a Hispanic, I didn't find the character designs and portrayals to be stereotypical or racially offensive."
- Ron Henriques, Latino Review
"This is the first Disney animated film about an African-American princess, and this delightful fairy tale couldn't come at a better time, what with the two little African-American princesses who live in the White House."
- Allison Samuels, NewsweekAnd the beat goes on...

"This is the best Disney animated film in years. Audiences -- who don't care whether it's cel animation, CGI, stop motion, claymation or motion capture as long as it's a good story -- will respond in large numbers. A joyous holiday season is about to begin for Disney."
- Kirk Honeycutt, The Hollywood Reporter
"Conspicuously outfitted with an African-American heroine and a vibrant 1920s New Orleans setting, this cheeky update of a classic fairy tale boasts almost as many talking points as merchandising opportunities, and should enjoy jazzy holiday biz starting with its Thanksgiving weekend bicoastal engagement and extending well past its Dec. 11 wide release. But whatever it accomplishes for Disney's reputation or bottom line, this long-anticipated throwback to a venerable house style never comes within kissing distance of the studio's former glory."
- Justin Chang, Variety
"Princess and the Frog" isn't the second coming of "Beauty and the Beast" or "The Lion King." It's just plain pleasant, an old-fashioned little charmer that's not straining to be the next glib animated compendium of pop-culture flotsam."
- David Germain, AP for SF Gate
"This A-level, G-rated entertainment is a fresh twist on the classic fairy tale about a handsome prince temporarily out of commission due to a malicious magic spell, a royal catch requiring the smooch of the right kindhearted, risk-taking heroine to restore him to his waiting throne."
- Lisa Schwarzbaum, Entertainment Weekly
"Go ahead and pucker up. Because long before "The Princess and the Frog" is over you'll want to smooch the charming couple, air kiss a romantic firefly and hug a voodoo queen in this foot-stomping, smile-inducing, heart-warming animated twist on the old Brothers Grimm frog-prince fairy tale."
- Betsy Sharkey, Los Angeles Times
"In an era dominated by CGI, Disney makes a bold return to 2-D animation. The medium may be old-fashioned, but the story is thoroughly, refreshingly modern. Funny, inspiring and gorgeously rendered, The Princess and the Frog is an instant classic."
- Dezhda Gaubert, E! Online
















