The gift of love and joy to you...
A Blue Sky one, that is...
From all of us here at Blue Sky Disney, to all of you, a Merry Christmas and happy holidays. Thank you for your support and devotion to the site. I have always cared about Disney as a source of inspiration and solace in a world that needs every bit of positive influence that it can get.
Not everything can make the world a better place, but a smile and a warm heart are good places to start. Walt Disney knew that. I know that. Maybe you do to? I wish you a great time with friends and family as we close out the old year, and prepare for the new. Thanks for coming, and thanks for caring.
Do good, stay safe...
Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts
Tuesday, December 25, 2012
Thursday, August 2, 2012
Bad Guys Are Better...
Your expectations are going to be wrecked...

With each passing day, more and more info comes out about the Mouse's latest film...
Animated film, I mean. It's hard to believe that it's only a few more months before it comes out. Disney's marketing has been having press events, like the one that was held the other day and giving media some small bits of info about the project. This is where they screened that "Paperman" short I was telling you about. And everyone that saw it, loved it. Just go ahead and give it the Oscar for best animated short. It has it in the bag.
The guys from /Film were at the event and gave us a nice nugget to think over entitled: "50 Things You Didn't Know About Wreck-It Ralph." It's fun and informative so take a look at the article. And get ready for this to be the first year in a while that the Disney film actually beats the Pixar film when the box office is counted.
Yeah, that's what I said...

With each passing day, more and more info comes out about the Mouse's latest film...
Animated film, I mean. It's hard to believe that it's only a few more months before it comes out. Disney's marketing has been having press events, like the one that was held the other day and giving media some small bits of info about the project. This is where they screened that "Paperman" short I was telling you about. And everyone that saw it, loved it. Just go ahead and give it the Oscar for best animated short. It has it in the bag.
The guys from /Film were at the event and gave us a nice nugget to think over entitled: "50 Things You Didn't Know About Wreck-It Ralph." It's fun and informative so take a look at the article. And get ready for this to be the first year in a while that the Disney film actually beats the Pixar film when the box office is counted.
Yeah, that's what I said...
Saturday, June 16, 2012
Carmageddon...
I can't wait to see that animatronic Whoopie...

It appears that the Suits in Burbank finally got the crowds they were expecting for the Second Gate...
Not that you couldn't tell it was going to be a success, and long lines couldn't be have been see months ago. I'm sure Paul Pressler felt that Superstar Limo was supposed to have a six hour wait, but the park he planned wasn't what people expected out of a Disney theme park. Even with the warning signs, Eisner and his team went forward with what they thought was a surefire hit: California in California.
It wasn't.
Especially the idea of a contemporary, extreme sports type park that became dated before it opened. The Imagineers have taken that concept and twisted it into something that not only actually works, but appears as though it was actually planned that way. A view of California the way it was while Walt was here. Each area were nostalgic representations of the Golden State that no longer exist. From the Roaring Twenties when he arrived, to the Idealist Sixties when he left this world for the next.
Imagine what a child walking into this park over the next decade will think? The presentation they will experience and the attractions they will get to enjoy are an entirely different kind than guests got in 2001. Imagine what the park's fifteenth anniversary will bring? The improvements, plussing and additions that will further make DCA a worthy sister to Disneyland. The long lines we saw yesterday are an example of what happens when you create something that people desire to see. This was something lost on the bean counters a decade ago. But it wasn't lost on WDI when the rope dropped yesterday. You could tell that from the smiles on the Imagineers faces as they watched guests head into the reborn park. They did a great job turning a piece of coal into a diamond.
Good job, daydreamers...
Labels:
2012,
Cars Land,
DCA,
Extreme Expansion,
John Lasseter,
June 15th,
Reboots
Friday, June 15, 2012
The Adventure Begins...
Now let's start on 2.1...We've only just begun...

Today is the day...
From this day forth, from now on, Disney California Adventure starts off with a new, fresh slate. For all of us entering the park that were there at the beginning, it's a new day. For those entering the park for the first time, it's a blessing. They get to start off the park from a completely different perspective.
Walking through that first land, it's going to be an experience that sets the tone for an incredibly fun journey. While Buena Vista Street is the flip side to Disneyland's Main Street U.S.A., Cars Land will be to DCA what New Orleans Square is to Disneyland. And Radiator Springs Racers will be its Pirates of the Caribbean.
So if you enter through that new front entrance today, enjoy the stroll, take it all in and drink from the canvas that Imagineers have painted.
It's going to be an adventure...
Labels:
2012,
DCA,
Extreme Makeover,
Imagineering,
June 15th,
Reboots,
Rebranded,
Reopening Day,
WDI
Thursday, June 14, 2012
Reborn...
Now let's start on 2.1...

Today the media gets its first look at the new DCA...
While the Disneyland Resort's Second Gate doesn't officially reopen for guests until tomorrow, this marks the beginning of the rebranding as a park that can now truly be said to be a Disney Park. There is no such thing as perfection, and there are areas of the park which need to have more plussing, but people that come to the resort will no longer hesitate when they think about buying a ticket just for Disney California Adventure. It will finally be worth the admission price.
In fact, Buena Vista Street and Cars Land succeed so well at putting you in a Disney world, that they make the rest of the park pale by comparison. Not that there aren't great areas or detailed places in the park. It's just these new additions are so beyond what is/was expected that they leave the modest creations that Imagineers put in a decade earlier in the back of your mind.
Walking down that recreation of 1930's Los Angeles is going to create an entirely different impression for guests experiencing this park. People who have never been here will be amazed by the beauty, and people returning will be stunned at how different it is. The level of detail with the hidden treats waiting for you to find are indescribable and have to be experienced. Main Street's sister had a very successful plastic surgery and her sibling is in the same league for a change.
Cars Land is a wonderfully immersive environment. If you walk down the Mother Road toward the land you will feel yourself drawn into an animated film like no other experience you've had at a Disney park. But if you really want to feel the transformation, go through the entrance at Pacific Wharf. Going under that archway and entering the land there actually is more revealing and successful than the main entrance, IMHO. Even if you're not a fan of the film, your senses will be overwhelmed by the detail. You can't help but be impressed by the experience.
It's been a long road, but after a decade of disappointments, the park is finally the destination Suits expected and fans deserved...
Labels:
2012,
DCA,
Disneyland Resort,
Extreme Makeover,
Reboots
Tuesday, June 12, 2012
Alienated...
From Space Child to Space Jockey...

One of my most anticipated films of this summer was "Prometheus" from Ridley Scott...
And if you've read this blog, then you might have seen Decadent Dave's review of the film. Well, let's just say that he and I are of differing opinions on the film. There's a lot of discussion going on around the web and elsewhere over this Alien prequel. Some of it is very deep and much of the conversation is very intellectual... profound even at times. Whether you like it or not, the film brings up many questions. The main problem I've seen from the majority of those that dislike it is that it doesn't answer all of those questions. I actually like that. It makes me have to think about things. It's very cerebral. I believe that it will become this generation's "2001: A Space Odyssey." It resonated with me that much, and in that way.
But if you like that type of conversation and want to see some interesting analysis and interpretation then check out this article by Cavalorn, entitled: "Prometheus Unbound," which focuses on the religious parallels in the film. A great read. And then there is this post by m15m, entitled "Prometheus in Fifteen Minutes," who offers another revealing look at the subtext of the film. Remember, this is for people that have seen the film. There are huge SPOILERS and if you don't want the film ruined for you, please don't read these conversations.
But for those that have seen it and wish to marinate in the tale of what happened to the spaceship Prometheus?
Enjoy...
Hat Tip to Ain't It Cool News for the Cavalorn article.

One of my most anticipated films of this summer was "Prometheus" from Ridley Scott...
And if you've read this blog, then you might have seen Decadent Dave's review of the film. Well, let's just say that he and I are of differing opinions on the film. There's a lot of discussion going on around the web and elsewhere over this Alien prequel. Some of it is very deep and much of the conversation is very intellectual... profound even at times. Whether you like it or not, the film brings up many questions. The main problem I've seen from the majority of those that dislike it is that it doesn't answer all of those questions. I actually like that. It makes me have to think about things. It's very cerebral. I believe that it will become this generation's "2001: A Space Odyssey." It resonated with me that much, and in that way.
But if you like that type of conversation and want to see some interesting analysis and interpretation then check out this article by Cavalorn, entitled: "Prometheus Unbound," which focuses on the religious parallels in the film. A great read. And then there is this post by m15m, entitled "Prometheus in Fifteen Minutes," who offers another revealing look at the subtext of the film. Remember, this is for people that have seen the film. There are huge SPOILERS and if you don't want the film ruined for you, please don't read these conversations.
But for those that have seen it and wish to marinate in the tale of what happened to the spaceship Prometheus?
Enjoy...
Hat Tip to Ain't It Cool News for the Cavalorn article.
Labels:
2012,
20th Century Fox,
Film,
Prometheus,
Ridley Scott,
Science Fiction
Saturday, June 9, 2012
A Full Plate...
Yummy...

Disneyland has released a list of all the entertainment that will be offered at DCA over the summer...
It's quite a collection, between all the good entertainment that was there and the new or returning offerings. This park is a long way from where it was a decade ago. Imagine where it will be a decade from now.
And that's a good thing.
Here's the list:
Starting June 15, 2012 when Disney California Adventure's new hours will be open/close 8:00 am-11:00 pm
Continuing Entertainment/Returning Entertainment/New Entertainment
World of Color - Paradise Bay
9:00pm , 10:15pm
Pixar Play Parade - Performance Corridor
2:00pm, 5:00pm
Phineas and Ferbs Rockin Rollin Dance Party - Performance Corridor
9:30am, 10:30am, 11:30am,12:30pm,2:55pm,3:55pm
DJ's Dance and Drive - Route 66 (Cars Land)
3:30pm, 4:30pm, 5:30pm, 7:00pm, 8:00pm, 9:00pm
Disney's Aladdin a musical Spectacular - Hyperion Theatre
11:55am, 1:35pm, 3:20pm, 4:45pm, 6:20pm
Five and Dime - Carthay Circle
8:30am, 9:30am,10:30am,12:30pm,1:30pm, 3:30pm ,4:30pm, 6:00pm, 7:15pm , 8:15pm
Red Car News Boys - Carthay Circle
10:00am, 11:00am, 12pm, 1:00pm, 3:00pm, 4:00pm
Disney Junior- Live on Stage - Disney Theatre
10:15am, 11:15am, 12:15pm, 1:50pm, 2:50pm, 3:50pm
Minnie Fly Girls Charter Airline - Condor Flats
10:50am, 11:50am, 12:50pm , 2:35pm , 3:35pm, 4:35pm
Instant Concert: Just Add Water - Paradise Bay
11:00am, 12:00pm, 1:00pm, 2:45pm, 3:45pm, 4:45pm
Dancing' With Disney - Stage 17
1:00-5:00pm
Mad T Party - Hollywood Land
7:00pm ,8:00pm, 9:00pm, 10:00pm
It's nice to not see Disney Dance Crew and Disney Channel Rocks on that list...

Disneyland has released a list of all the entertainment that will be offered at DCA over the summer...
It's quite a collection, between all the good entertainment that was there and the new or returning offerings. This park is a long way from where it was a decade ago. Imagine where it will be a decade from now.
And that's a good thing.
Here's the list:
Starting June 15, 2012 when Disney California Adventure's new hours will be open/close 8:00 am-11:00 pm
Continuing Entertainment/Returning Entertainment/New Entertainment
World of Color - Paradise Bay
9:00pm , 10:15pm
Pixar Play Parade - Performance Corridor
2:00pm, 5:00pm
Phineas and Ferbs Rockin Rollin Dance Party - Performance Corridor
9:30am, 10:30am, 11:30am,12:30pm,2:55pm,3:55pm
DJ's Dance and Drive - Route 66 (Cars Land)
3:30pm, 4:30pm, 5:30pm, 7:00pm, 8:00pm, 9:00pm
Disney's Aladdin a musical Spectacular - Hyperion Theatre
11:55am, 1:35pm, 3:20pm, 4:45pm, 6:20pm
Five and Dime - Carthay Circle
8:30am, 9:30am,10:30am,12:30pm,1:30pm, 3:30pm ,4:30pm, 6:00pm, 7:15pm , 8:15pm
Red Car News Boys - Carthay Circle
10:00am, 11:00am, 12pm, 1:00pm, 3:00pm, 4:00pm
Disney Junior- Live on Stage - Disney Theatre
10:15am, 11:15am, 12:15pm, 1:50pm, 2:50pm, 3:50pm
Minnie Fly Girls Charter Airline - Condor Flats
10:50am, 11:50am, 12:50pm , 2:35pm , 3:35pm, 4:35pm
Instant Concert: Just Add Water - Paradise Bay
11:00am, 12:00pm, 1:00pm, 2:45pm, 3:45pm, 4:45pm
Dancing' With Disney - Stage 17
1:00-5:00pm
Mad T Party - Hollywood Land
7:00pm ,8:00pm, 9:00pm, 10:00pm
It's nice to not see Disney Dance Crew and Disney Channel Rocks on that list...
Hat Tip to Lighttragic for his compiling this list for Disney fans to enjoy.
Labels:
2012,
DCA,
Disney Entertainment,
Disneyland Resort,
Extreme Expansion
Thursday, June 7, 2012
Home Improvements...
Not game over, man...

The official website of "Wreck-It Ralph" is up...
Take a look at it. And while there put in a quarter (metaphorically, of course) and play the actual "Fix-It Felix" game that Ralph is a part of. It's a nice site packed with all kinds of 8-Bit Eighties goodness. I look forward to more and more content being added.
Disney animators seem to be in very high spirits right now and deservedly so...

The official website of "Wreck-It Ralph" is up...
Take a look at it. And while there put in a quarter (metaphorically, of course) and play the actual "Fix-It Felix" game that Ralph is a part of. It's a nice site packed with all kinds of 8-Bit Eighties goodness. I look forward to more and more content being added.
Disney animators seem to be in very high spirits right now and deservedly so...
Friday, May 25, 2012
(Just) In Time...
Finally. period...

Three weeks from today DCA opens as a Disney Park...
I've said that various times over many, many posts in the past few years, but finally people will walk down the lands and get a true idea of what I mean. One of the great things that you will find is the thematic transition of characters in the park.
Buena Vista Street is the best example of this. Being as the areas represent periods of the California that no longer exists, or as I refer to it, Decades, the character theming is important to the presentation of these times. The official description of BVS is that it's 20's/30's, it it is essentially the Thirties. And the Carthay Circle Theater is the culmination of this narrative.
If you've ever been to Tokyo DisneySEA (and shame on you if you haven't), then you know how they are able to take classic Disney characters and project them into a time, a period and have them own it. From Mediterranean Harbor where Mickey and his crew are dressed in maritime/oceanic themed costumes, Lost River Delta where Donald and his gang appear to be 30's adventurers, or the American Waterfront where everyone looks like they walked out at the turn of the Twentieth Century.
And you can go anywhere else in that marvelous gate and see the way the characters work and how the designers get it. It is a textbook example of the "Disney Way", the very reason why the Moustro was so successful. And this is one of a laundry list of things that the original DCA failed at.
That will all change when you take a stroll down Buena Vista Street. From the Newsies-type singers on the Red Car Trolley, to the period band Five and Dime or the traditional characters you see walking around interacting with guests, or the Citizens of Buena Vista Street, it will all take you to a place that you've never been if you've entered DCA before:
A Disney Park.
And we will all have a much more memorable experience. One that should have happened a decade ago were it not for blind, bean counters. But better late than never, right?
21 days and what should have been, will finally be...

Three weeks from today DCA opens as a Disney Park...
I've said that various times over many, many posts in the past few years, but finally people will walk down the lands and get a true idea of what I mean. One of the great things that you will find is the thematic transition of characters in the park.
Buena Vista Street is the best example of this. Being as the areas represent periods of the California that no longer exists, or as I refer to it, Decades, the character theming is important to the presentation of these times. The official description of BVS is that it's 20's/30's, it it is essentially the Thirties. And the Carthay Circle Theater is the culmination of this narrative.
If you've ever been to Tokyo DisneySEA (and shame on you if you haven't), then you know how they are able to take classic Disney characters and project them into a time, a period and have them own it. From Mediterranean Harbor where Mickey and his crew are dressed in maritime/oceanic themed costumes, Lost River Delta where Donald and his gang appear to be 30's adventurers, or the American Waterfront where everyone looks like they walked out at the turn of the Twentieth Century.
And you can go anywhere else in that marvelous gate and see the way the characters work and how the designers get it. It is a textbook example of the "Disney Way", the very reason why the Moustro was so successful. And this is one of a laundry list of things that the original DCA failed at.
That will all change when you take a stroll down Buena Vista Street. From the Newsies-type singers on the Red Car Trolley, to the period band Five and Dime or the traditional characters you see walking around interacting with guests, or the Citizens of Buena Vista Street, it will all take you to a place that you've never been if you've entered DCA before:
A Disney Park.
And we will all have a much more memorable experience. One that should have happened a decade ago were it not for blind, bean counters. But better late than never, right?
21 days and what should have been, will finally be...
Labels:
2012,
Buena Vista Street,
DCA,
Extreme Makeover,
Imagineering,
WDI
Saturday, January 7, 2012
Gratitide...

I just wanted to thank all those that have commented...
Both private and in the comments section, people have really said embarrassingly nice things about me.
While I can't promise the site will be back up to normal publishing, it will slowly start to have more new content. So please be patient. And thanks again for the warm thoughts.
It means a lot...
Friday, January 6, 2012
Test Patterns...

Sorry for the silence, guys...
But life has to take preference over some things, and unfortunately, I've had to deal with some of those things. While they're not over, they have gotten to a point where I will be able to handle posting.
Next week, post will begin slowly. While I can't promise that they'll be back up to normal levels for a while, they will begin again.
And for those that have asked if the blog is dead, I hope this answers it...
Tuesday, September 13, 2011
A Glimpse Of The End Of The Beginning Of The End...
Reving up for next year...

It's less than a year before the Extreme Makeover of DCA is over...
Could this ad for a pin trading event next year be a peek into the marketing direction of where the Mouse will go?
Developing...

It's less than a year before the Extreme Makeover of DCA is over...
Could this ad for a pin trading event next year be a peek into the marketing direction of where the Mouse will go?
Developing...
Labels:
2012,
DCA,
Disneyland Resort,
Extreme Makeover,
Imagineering,
WDI
Sunday, August 21, 2011
ReTangled...
I have a dream...
One of the things announced at D23 this weekend was a continuation of the goldmine known as "Tangled" next year...
Not a sequel, but a short that will debut on the Disney Channel in 2012. Nathan Greno and Byron Howard will bring us "Tangled Ever After" as a special event on the Mouse's main cable channel which has yet to be scheduled.
Now, if some of those shorts inch closer to production...
One of the things announced at D23 this weekend was a continuation of the goldmine known as "Tangled" next year...
Not a sequel, but a short that will debut on the Disney Channel in 2012. Nathan Greno and Byron Howard will bring us "Tangled Ever After" as a special event on the Mouse's main cable channel which has yet to be scheduled.
Now, if some of those shorts inch closer to production...
Labels:
2012,
Animation,
Byron Howard,
D23,
Disney Channel,
Disney Shorts,
Nathan Greno,
Tangled
Thursday, July 14, 2011
First Tour Of Mars...

Walt Disney Pictures has released the teaser trailer for "John Carter" a day early...
And we have to remember that it's a teaser. It's meant to tease. And I think that it partially achieves its purpose. But it does give me hope that Andrew Stanton has gotten it right. I like various elements, but feel that the marketing campaign has got their hands full.

Like many people I've heard from, this is based on a classic that is a hundred years old (next year). But there are many things in this that are going to seem as though they are stolen from "Star Wars" or "Avatar." The opposite is true. But I think marketing are going to have to address this. From what I know, everyone associated with the screenplay viewed this as a labor of love. I'm going to cross my fingers and put my confidence in them to faithful put my and other geek/fanboy's dreams on the screen to Barsoom.

Come March, I can't wait to make the journey...
Friday, July 8, 2011
Untitled Road...
Don't stop, go, go, go...

A lot has been happening in the Hat Building over the past six months...
After all, at the end of last year saw the release of "Tangled," which was a huge film for the studio. Not only did it relieve a bit of pressure to perform by the Disney animators, it also made way for a lot of projects to move further into development. Many have complained that there wasn't much in development over the past few years, causing many an animator/artist to get a layoff notice.
I am happy to tell you that that is not the case now. Of course, the development slate is nowhere near as large as DreamWorks Animation, which has a very large and long list of projects, but it is getting fattened up, and it's still growing.
First off, we know that Walt Disney Animation Studios next film is the hand-drawn sequel "Winnie the Pooh," which comes out as counter programing to "Harry Potter and the Deathly Hollows Part 2." But where does the road take us after that?
Well, come 2012 we know that Rich Moore's "Wreck-It Ralph" will be the studios' animated offering. I hear that the project is very different from the last few films, but still shares the same, Disney heart. If some of the hysterically dark scenes I heard make it though the cut then this one will get an unusually rare, PG13 rating for the 52nd animated feature from Disney Animation. But we'll have to wait and see what final form it arrives in.
As of 2013, the next project to be moving down the pipeline is newly re-envisioned "King of the Elves," which has been chugging along under the direction of Chris Williams (something we reported exclusively last year). The storyboarding has been going on, new scenes are being written and the story structure is being tightened up. This CG animated feature should tentatively arrive during the holidays unless a kink in the production process pops up. I've heard many people asking if rumors of it being out of development were true and from what I know, it has continually been moving forward since last year.
Now for 2014, it gets a little murkier, as these projects are in a more fluid state of development, so changes could happen. But as of now, this is what you are likely to see.
Based on the current state of projects, a CG version of "Snow Queen" directed by Chris Buck is likely to see release sometime during the year. The story structure problems that popped up in the last hand-drawn version seem to be ironed out and storyboarding has moved forward with Chris' unique take on the material. And for those of you wondering if it'll be faithful to the original story? I can only say that it'll be as faithful to it as the Mouse was to "The Little Mermaid." Presuming that another film gets released that year, it is likely to be the new hand-drawn film from John Musker and Ron Clements. And no, I'm not talking "Mort" as the rights to that would have required the Mouse to purchase the entire series, which it didn't want to commit to. So this new project is something else that the duo has pitched Lasseter. All that is known, is that it will be hand-drawn.
After that, in the 2014/2015 range will be the untitled project coming from Nathan Greno & Bryon Howard's. Not much is known about this film, but the duo hit it off on "Tangled" and have apparently pitched a project that Lasseter thinks will be great. If their project is not ready, then Dean Wellins' project will fill the slot. His is a story that will be very different from the mold we picture Disney animated films and this is a project that is aimed at all those boys that don't like princess movies.
Sometime around this point in the schedule, Don Hall's super secret project may have been greenlit and far enough down the line to be penciled in for a 2015/2016 release. That project, once announced will generate a lot of buzz in certain geek communities, as it's going to surprise a lot of people for what it is and what it's not. But it's in the very early embryonic stage and it depends on how well the project is received upon the presentation that is being prepared for John and Ed.
After that, there are several ideas that are being prepared for pitches which could compete for time on the release slate, but as of now there you have it. It will be interesting seeing how Disney's marketing department deals with some of these titles as they are out of what we normally picture for a Disney film. Even some of the ones you would think are in the classic mold, are really not.
Although several of these films have titles, they are very much temporary ones and are as much in flux as is the schedule itself. The development track expanding in the last year is a very positive step and Lasseter's trust in the talent is also a very reassuring development as well.
The greatest contribution about last years hit is not the box office it generated, but that it may have untangled the restrictions that had been placed on the company's animation future...

A lot has been happening in the Hat Building over the past six months...
After all, at the end of last year saw the release of "Tangled," which was a huge film for the studio. Not only did it relieve a bit of pressure to perform by the Disney animators, it also made way for a lot of projects to move further into development. Many have complained that there wasn't much in development over the past few years, causing many an animator/artist to get a layoff notice.
I am happy to tell you that that is not the case now. Of course, the development slate is nowhere near as large as DreamWorks Animation, which has a very large and long list of projects, but it is getting fattened up, and it's still growing.
First off, we know that Walt Disney Animation Studios next film is the hand-drawn sequel "Winnie the Pooh," which comes out as counter programing to "Harry Potter and the Deathly Hollows Part 2." But where does the road take us after that?
Well, come 2012 we know that Rich Moore's "Wreck-It Ralph" will be the studios' animated offering. I hear that the project is very different from the last few films, but still shares the same, Disney heart. If some of the hysterically dark scenes I heard make it though the cut then this one will get an unusually rare, PG13 rating for the 52nd animated feature from Disney Animation. But we'll have to wait and see what final form it arrives in.
As of 2013, the next project to be moving down the pipeline is newly re-envisioned "King of the Elves," which has been chugging along under the direction of Chris Williams (something we reported exclusively last year). The storyboarding has been going on, new scenes are being written and the story structure is being tightened up. This CG animated feature should tentatively arrive during the holidays unless a kink in the production process pops up. I've heard many people asking if rumors of it being out of development were true and from what I know, it has continually been moving forward since last year.
Now for 2014, it gets a little murkier, as these projects are in a more fluid state of development, so changes could happen. But as of now, this is what you are likely to see.
Based on the current state of projects, a CG version of "Snow Queen" directed by Chris Buck is likely to see release sometime during the year. The story structure problems that popped up in the last hand-drawn version seem to be ironed out and storyboarding has moved forward with Chris' unique take on the material. And for those of you wondering if it'll be faithful to the original story? I can only say that it'll be as faithful to it as the Mouse was to "The Little Mermaid." Presuming that another film gets released that year, it is likely to be the new hand-drawn film from John Musker and Ron Clements. And no, I'm not talking "Mort" as the rights to that would have required the Mouse to purchase the entire series, which it didn't want to commit to. So this new project is something else that the duo has pitched Lasseter. All that is known, is that it will be hand-drawn.
After that, in the 2014/2015 range will be the untitled project coming from Nathan Greno & Bryon Howard's. Not much is known about this film, but the duo hit it off on "Tangled" and have apparently pitched a project that Lasseter thinks will be great. If their project is not ready, then Dean Wellins' project will fill the slot. His is a story that will be very different from the mold we picture Disney animated films and this is a project that is aimed at all those boys that don't like princess movies.
Sometime around this point in the schedule, Don Hall's super secret project may have been greenlit and far enough down the line to be penciled in for a 2015/2016 release. That project, once announced will generate a lot of buzz in certain geek communities, as it's going to surprise a lot of people for what it is and what it's not. But it's in the very early embryonic stage and it depends on how well the project is received upon the presentation that is being prepared for John and Ed.
After that, there are several ideas that are being prepared for pitches which could compete for time on the release slate, but as of now there you have it. It will be interesting seeing how Disney's marketing department deals with some of these titles as they are out of what we normally picture for a Disney film. Even some of the ones you would think are in the classic mold, are really not.
Although several of these films have titles, they are very much temporary ones and are as much in flux as is the schedule itself. The development track expanding in the last year is a very positive step and Lasseter's trust in the talent is also a very reassuring development as well.
The greatest contribution about last years hit is not the box office it generated, but that it may have untangled the restrictions that had been placed on the company's animation future...
Labels:
2012,
2013,
2014,
2015,
2016,
Animation,
Film,
Hand Drawn,
John Musker and Ron Clements,
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Monday, June 27, 2011
Brave Trailer...
We know it's brave, let's hope it's good...

Those of you that saw "Cars 2" this weekend got to see this in all its glory...
The teaser trailer for Pixar's "Brave" has now been released on the web. It looks lovely, and has a scale of an epic adventure. I can't wait to actually see it. Until then, you'll just have to live with this teaser.
Now, if the marketing department would promote "John Carter of Mars" as well as this film...

Those of you that saw "Cars 2" this weekend got to see this in all its glory...
The teaser trailer for Pixar's "Brave" has now been released on the web. It looks lovely, and has a scale of an epic adventure. I can't wait to actually see it. Until then, you'll just have to live with this teaser.
Now, if the marketing department would promote "John Carter of Mars" as well as this film...
Monday, February 28, 2011
Time Zones...
Going back into the magic of the past...

We've talked before about the retheming of Disney California Adventure, but I thought this time we'd explain it with a visual representation...
While I've talked quite a bit in the past about the new perspective on focusing on the park's representation of the Golden State. That view of California from the perspective of how Walt saw it. Basically, a representation of all the periods in which Disney lived in this state. So the experience is a Disney Experience, in whatever attraction is put in, and the various areas/lands will be made up of seeing a place from the perspective of the time he was here. These are my words, but the Imagineer's intent, just so you know.
The park is divided into the sections of Walt's life from his first entering in the Twenties, to his passing in the Sixties:
Paradise Pier - (1920's) An idealized seaside pier and harbor representing a walk by the shore during the early part of the twentieth Century, just as Walt Disney arrived in the state to realize his dreams. Set during the Post-Victorian/Edwardian Era representing a simpler, but vibrant life for those walking along the golden beaches of the growing and prosperous West Coast.
Buena Vista Street - (1930's) Set during the rising days of Walt's studio and the establishing of it as a major player in Hollywood, the Spanish Revival style will evoke much of what it was like to walk down the sidewalk of Los Angeles during that period.
Hollywood Land - (1940's) Imagined as the way it was viewed during the Golden Era of Hollywood. The Art Deco and movie studio influences are supposed to give you the feeling of being in a nostalgic interpretation of what Tinsel Town was like during this period.
Golden State - (1950's) A representation of the national parks that you would find in the state, like Yosemite or Redwood National Park. Drawing on inspiration from the Real Life series, this area with its woodsy feel and Arts & Crafts architecture invoke a rustic view of what it was like to see rural mid to northern California.
Cars Land - (1960's) Driving down Route 66 in its prime, seeing what it was like to travel through the open desert going down the "Mother Road" as an entryway into California. The end of the American way of life before the highways took over and pushed you past the lands, not through them. And as the sun set on this special time, it also quietly represents the passing of the company's creator.
And as far as A Bug's Land goes, well that happens to be a bridge land set between two others. It represents the lands and valleys that occupy the state, feed our nation and the world, but it doesn't represent a time period. But everything else has it, or will eventually have its own time and feel.
So think of this as a new beginning, not a middle and certainly not an end...

We've talked before about the retheming of Disney California Adventure, but I thought this time we'd explain it with a visual representation...
While I've talked quite a bit in the past about the new perspective on focusing on the park's representation of the Golden State. That view of California from the perspective of how Walt saw it. Basically, a representation of all the periods in which Disney lived in this state. So the experience is a Disney Experience, in whatever attraction is put in, and the various areas/lands will be made up of seeing a place from the perspective of the time he was here. These are my words, but the Imagineer's intent, just so you know.
The park is divided into the sections of Walt's life from his first entering in the Twenties, to his passing in the Sixties:
Paradise Pier - (1920's) An idealized seaside pier and harbor representing a walk by the shore during the early part of the twentieth Century, just as Walt Disney arrived in the state to realize his dreams. Set during the Post-Victorian/Edwardian Era representing a simpler, but vibrant life for those walking along the golden beaches of the growing and prosperous West Coast.
Buena Vista Street - (1930's) Set during the rising days of Walt's studio and the establishing of it as a major player in Hollywood, the Spanish Revival style will evoke much of what it was like to walk down the sidewalk of Los Angeles during that period.
Hollywood Land - (1940's) Imagined as the way it was viewed during the Golden Era of Hollywood. The Art Deco and movie studio influences are supposed to give you the feeling of being in a nostalgic interpretation of what Tinsel Town was like during this period.
Golden State - (1950's) A representation of the national parks that you would find in the state, like Yosemite or Redwood National Park. Drawing on inspiration from the Real Life series, this area with its woodsy feel and Arts & Crafts architecture invoke a rustic view of what it was like to see rural mid to northern California.
Cars Land - (1960's) Driving down Route 66 in its prime, seeing what it was like to travel through the open desert going down the "Mother Road" as an entryway into California. The end of the American way of life before the highways took over and pushed you past the lands, not through them. And as the sun set on this special time, it also quietly represents the passing of the company's creator.
And as far as A Bug's Land goes, well that happens to be a bridge land set between two others. It represents the lands and valleys that occupy the state, feed our nation and the world, but it doesn't represent a time period. But everything else has it, or will eventually have its own time and feel.
So think of this as a new beginning, not a middle and certainly not an end...
Tuesday, February 8, 2011
Decade Of Adventure...
Ten years...
Can you believe it's been a decade since the debut of Eisner's Folly? We're in the middle of a massive construction project that I've called an Extreme Expansion since it was first rumored about a few years ago.
But what we have now is the evidence of that progress. Walls, walls and more walls. Walls all over the park and it still pulls in a great deal of guest. In fact, it pulls in about 20%-25% more guests than it did this time last year. Mostly because of World of Color, but also because over the last few years attractions like Midway Mania have helped out helping to define this park as a Disney park. Something that couldn't be said of this place when it opened back in 2001.
There will a celebration this year, but nothing on a grand scale, and certainly not as big as the one for the opening of this park back a decade ago. Although there is far more to celebrate today than back then. Families and fans coming through the turnstiles after next summer will get a much more accurate feeling that they're in a Disney park than those that entered on that first day back at the beginning of the new century. It won't be finished, to paraphrase Walt, DCA will never be finished, but it'll always be growing and improving. But those young tykes walking through Buena Vista Street to Cars Land and the slowly, evolving Victorianization of Paradise Pier to see The Little Mermaid won't realize what a different park it is they're stepping in.
That's a good thing. We don't need anymore bad memories. Let those be ground up like the bathroom tiles that adorned the former front entrance. There is a bright future ahead for this park and the entire Disneyland Resort. This doesn't even include all the news that will hit next year about the original Disneyland, the Downtown Disney shopping district or the Disney hotels. Finally, the Disneyland resort will be a Resort. A decade ago, that was mainly in name only, but as of 2012 it will be. And the future additions to the resort will only solidify that. Again, a bright future.
One filled with praise and promise and prospect for a better tomorrow. Happy Birthday, Disney(-'s) California Adventure, I hardly knew you...
Can you believe it's been a decade since the debut of Eisner's Folly? We're in the middle of a massive construction project that I've called an Extreme Expansion since it was first rumored about a few years ago.
But what we have now is the evidence of that progress. Walls, walls and more walls. Walls all over the park and it still pulls in a great deal of guest. In fact, it pulls in about 20%-25% more guests than it did this time last year. Mostly because of World of Color, but also because over the last few years attractions like Midway Mania have helped out helping to define this park as a Disney park. Something that couldn't be said of this place when it opened back in 2001.
There will a celebration this year, but nothing on a grand scale, and certainly not as big as the one for the opening of this park back a decade ago. Although there is far more to celebrate today than back then. Families and fans coming through the turnstiles after next summer will get a much more accurate feeling that they're in a Disney park than those that entered on that first day back at the beginning of the new century. It won't be finished, to paraphrase Walt, DCA will never be finished, but it'll always be growing and improving. But those young tykes walking through Buena Vista Street to Cars Land and the slowly, evolving Victorianization of Paradise Pier to see The Little Mermaid won't realize what a different park it is they're stepping in.
That's a good thing. We don't need anymore bad memories. Let those be ground up like the bathroom tiles that adorned the former front entrance. There is a bright future ahead for this park and the entire Disneyland Resort. This doesn't even include all the news that will hit next year about the original Disneyland, the Downtown Disney shopping district or the Disney hotels. Finally, the Disneyland resort will be a Resort. A decade ago, that was mainly in name only, but as of 2012 it will be. And the future additions to the resort will only solidify that. Again, a bright future.
One filled with praise and promise and prospect for a better tomorrow. Happy Birthday, Disney(-'s) California Adventure, I hardly knew you...
Labels:
2012,
Bob Weis,
DCA,
Disneyland Resort,
Imagineering,
Themeparks,
WDI
Tuesday, December 7, 2010
Blue Sky Buzz: Past Imperfect/Future Unfinished...

I thought I'd respond to a few e-mails I've received recently about the Extreme Makeover...
I apologize for the lack of updates, but I've been caught up in matters involving the real world. Just a few notes here, not a major update, but I thought you'd like to know/have a little bit of clarity about what's going on at the Second Gate.
First off many are wondering about the stores near where the Maliboomer once sat. In all the artwork and models we've seen, the pier area has the Games of the Boardwalk (done) and the stores remade with new Victorian facades (not done). Not to mention that lovely front queue that the Fun Wheel was supposed to get (still crossing my fingers on that one). Well, as I'm sure some of you have heard, it's not being done for the present. Not that it won't get done, but it's not on the current schedule. The main reason is funding or budgeting of the park. There have been no cuts or skimping on attractions just so you know. Please don't roll your eyes and start to think that this is another case of bean counters cutting the budget (like they did when the took DCA's almost billion dollar original price tag and reduce it by a third to $650 million).
That's not the problem. The problem is doing all this construction in a working environment and doing it at all times of the day and hours to avoid disrupting the guest as the walk around the walls. That gets expensive. Really expensive and it eats away at budgets. Much more than anyone at Disney would like. So funding has to be shifted. That's the reason you didn't see that structure in front of Mickey's Fun Wheel. That's why you didn't see the new cover for King Triton's Carousel. And it's why the stores are still in the style of stucco and exposed beams.
See, the Imagineers have had to try and keep the budgets for certain high profile projects as high as they can and decisions were made to drop or postpone some theming so that the funding could be used for other, more important construction items. Ariel's Undersea Adventure, Cars Land and the Buena Vista Street projects were all considered the most import things to get done. All other projects would/could be done, but later.
So when 2012 rolls around, some of what was planned won't be there. The side of the Paradise Pier with Screamin' and the Carousel will look relatively the same. The shops along the pier near Ariel's Grotto may still look the same as it appears that funding for this particular spot is on hold as well. The Grizzly River Run area will have received a modest retheming, but the animatronics will likely not be there till after Cars Land opens and the Extreme Makeover is officially over. The Hollywoodland section will not likely see any transformation back to a 40's era other than the Red Car Trolley line that cuts down the street until the second phase of the expansion too.
But this isn't the end. This is the beginning of the end of the beginning of the makeover. Hopefully you followed that. But sometime after summer of 2012 the park will be basking in its rebranding. Backstage, park planners and Imagineers will be busy planning big and small projects that will enhance what has already been done. Sometime in 2013 we will likely see projects start to sprout up in various areas of the park. They won't be as big as most of the projects that we've seen over the past few years because most of the hard work and major construction will be done.
Over the next four for five years we're likely to see the completed transformation of the Paradise Pier into a Victorian representation, but it'll come in phases. The areas near the coaster, the carousel and then perhaps the boardwalk area. No definite time period has yet been set, but things are being planned. The area where the stores reside is being put aside until the budget and ideas are ready for another attraction. There is room for another ride back behind the Maliboomer area now that the park only has one parade. There are two parade buildings and one is behind this spot with enough land for a major attraction. The offices of the pier would have to be moved and some other structural altering would be needed as well, but that won't be a problem that DCA hasn't already gotten used to.
There's also going to be construction walls going up in January that will block off the access to the pier where the Maliboomer was. There's a lot of concrete that has to be cut out to make room for that garden and the meet and greet area of this little makeover.
Eventually the Hollywood section will change and be rethemed to the Golden Age of Hollywood. Most of this shouldn't cause harm, with the possible exception of the enclosing of the Hyperion Theater which could be intrusive to guests and shows, but once all this is done, the trolley line will certainly blend in far better.
The Grizzly section will hopefully get animatronics in late 2012/early 2013 to match the new uniforms and rethemed areas of the 50's Yosemite style national park that it is slowly becoming. One thing that you will notice soon is the retheming of the Redwood Creek area. Gone will be Brother Bear and in its place will be Russell and the crew from "Up" to delight kids all around.
Should Cars Land be the success that everyone thinks it will be (it will), then you will see the start of planning for an expansion of this land, but don't expect it before the latter part of the decade. There is room there for one or two new attractions depending on how well the land is utilized. When you examine the totality of it, there's a whole lot of construction still to be done. Just not the gargantuan plots of land that have been reworked/rebuilt over the past four years.
Don't let this detract you from the fact that come summer 2012 the Disneyland Resort will finally have a Second Gate worthy of the resort that won't be perfect.
But it won't be finished either...
Labels:
2012,
DCA,
Disneyland Resort,
Extreme Makeover,
Imagineering,
WDI
Monday, November 15, 2010
Gamma Ray Del Toro...
Hulk smash ratings...

Wow, now this is much happy geek news...
I've been gone all weekend enjoying the lovely weather we have here in Southern California and haven't really been on the computer. So imagine my surprise from a weekend of roasting marshmallows and hot dogs by the beach with old friends, when I saw what Deadline Hollywood had posted. Guillermo del Toro along with David Eick will produce the new Hulk series.
Say what?
I first thought that I must have misread that. Then I read it. Then I read it, again. Slowly a smile crept across my face. See, as a child it was always to my horror that I saw some film adaptation attached to someone that didn't get it or wasn't talented enough to be associated with it. So when projects like this come along it's almost like the stars aligning themselves in the right place at the right time. It's almost too good to be true. Guillermo is one of those that "gets" it. He's perfectly suited for something like this and to have him connected to it, somewhere the geek gods are shining down upon us. My interest in this project has just gone up one-thousand percent. My only question is when will del Toro let the world in on his cloning project? There is no way that one man can do as much or be attached to as many projects as he is.
He's starting to make John Lasseter look like a slacker...

Wow, now this is much happy geek news...
I've been gone all weekend enjoying the lovely weather we have here in Southern California and haven't really been on the computer. So imagine my surprise from a weekend of roasting marshmallows and hot dogs by the beach with old friends, when I saw what Deadline Hollywood had posted. Guillermo del Toro along with David Eick will produce the new Hulk series.
Say what?
I first thought that I must have misread that. Then I read it. Then I read it, again. Slowly a smile crept across my face. See, as a child it was always to my horror that I saw some film adaptation attached to someone that didn't get it or wasn't talented enough to be associated with it. So when projects like this come along it's almost like the stars aligning themselves in the right place at the right time. It's almost too good to be true. Guillermo is one of those that "gets" it. He's perfectly suited for something like this and to have him connected to it, somewhere the geek gods are shining down upon us. My interest in this project has just gone up one-thousand percent. My only question is when will del Toro let the world in on his cloning project? There is no way that one man can do as much or be attached to as many projects as he is.
He's starting to make John Lasseter look like a slacker...
Labels:
2012,
ABC,
Adaptation,
Guillermo Del Toro,
Hulk,
Jeph Loeb,
Marvel Television,
Series
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